I love them so much because they’re about as sharp as a baseball and their anatomy is ridiculous to the point of them literally being classified as plankton for years because they just sort of get blown around by the ocean and look confused, but because they lay more eggs than ANY OTHER VERTEBRATE IN EXISTENCE, evolution can’t stop them
Why is no big predator coming and gnawing on them?
Their biggest defense is that they’re massive and have super tough skin, but they do get hunted by sharks or sea lions sometimes and they just sort of float there like ‘oh bother’ as it happens
Even funnier, because they eat nothing but jellyfish they’re really low in nutritional value anyway, so they basically survive by being not worth eating because they’re like a big floating rice cracker wrapped in leather.
So basically the only reason natural selection hasn’t taken care if them is because they are the most useless fish
yes, they’ve perfected uselessness to the point of being unstoppable
I do encourage you to play BNHA’s “You say run” ost while watching it.
Wanted to animate a sequence and so did i. Still doing these exercices to get better at animating and handling japanese characters, not fond of the compositing but i’m getting better in other parts so i’m strangely ok with it.
Thanks to Claire, who made me realize how wrong i was about season 3′s airing, and thus, how late i was in posting it.
Mamoru Hosoda, the Japanese director of hit animated feature
The Girl Who Leapt Through Time, Summer Wars, Wolf Children and The Boy and the Beast, is back with his newest film, Mirai.
Mirai is about a 4-year old boy who is struggling to cope with the arrival of a
little sister – until things turn magical. A mysterious
garden in the backyard of the boy’s home becomes a gateway allowing the
child to travel back in time and encounter his mother as a little girl
and his great-grandfather as a young man. These fantasy-filled
adventures allow the child to change his perspective and help him become
the big brother he was meant to be.
Hosoda told Variety: “There is a common thread in the themes of my films. The Girl Who Leapt
Through Time was about youth. Summer Wars was about family, Wolf
Childrenwas about motherhood. The Boy and The Beast was about the father, and my new film is about
the relationship between brothers and sisters. Mirai is about a boy
who is trying to reclaim the love of his parents.
“If I decided to tell the story of a brother and sister, it’s because
after the birth of my second child, our eldest one got the impression
that this newly arrived baby stole her parents, which made her
ferociously jealous.”
Mirai hits Japanese movie theaters July 20, 2018. GKIDS has announced it has acquired the North American distribution rights and will release the film theatrically this fall in both its original Japanese language and a new English dubbed version.